The reasoning behind my own personal favourites varies from wearability to a great spectacle.
Beginning with the mod revival at a psychedelic Alberta Ferretti and Alexander McQueen's Ice Queens with their organza trains and plush fur trim.
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Not to mention Valentino's ultra-feminine preppy infusion and Burberry Prorsum's bright coats, capes and flared pants all encapsulating British style.
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Mary Katrantzou perfectly balanced an array of her prolific clashing imagery and prints on high necks and wide stiffened rskirts while Viktor & Rolf, yet again, executed monochrome crisp, infallible lines and pleats over thick knits.
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I loved Celine's covetable classics including heeled loafers, turtlenecks and longer length coats as well as Fendi's use of saffron, cobalt and mustard on exaggerated silhouettes, cable-knit tights and mary-janes.
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Three
I'm really pleased to say I was impressed by Australian designer Collette Dinnigan's collection. Much to the contrary of critics alike, I found the sophisticated prints, modest hemlines, fur necks and cinched waistlines to be tres feminine and very wearable.
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Two
Bottega Veneta's Tomas Maier harnessed the 40s and 50s with polished T-bars, texture, white tights and twin sets. Moving into the 20s, the collection then brought flapper-style dresses with intricate detail using lace and fringed hemlines.
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One
Bally's cape coats, mini dresses and oversized platform buckle-up boots created a sophisticated look while the darker palette gave this Little Red Riding Hood style an extra edge.
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